8/2/2023 0 Comments Multiclock vs sync gen![]() ![]() It takes your DAWs audio clock an derives an ultra precise and almost jitter-free. Setup was easy! After plugging in the Multiclock to the wall, and via USB to my computer, I simply went into Ableton Live and enabled all four ports (which appear independently within the MIDI Setup Page). The Multiclock USB is a multi-format solution for audio synchronisation. Also, the buttons and the navigator knob (rotary) are firmly locked in. I was very pleased to experience some silky, smooth knobs that you can tell cost a little extra. I’m excited! I was also very excited initially about the Shift knobs, as I’ve had some light drift with some devices from time to time. 266 Re: Changing projects live - work arounds « Reply 1 on: November 20, 2016, 04:10:12 AM. So, one box takes care of DIN and MIDI in one shot. Its a shame you cant cue load a project up, so it starts in sync with the last beat ending. LTC is really only used with cameras - with cheap ones you can simply record it on CH1. Analog clock signals are configurable in polarity, start/reset behaviour. SMPTE linear timecode (LTC) was designed in the 60s so its low tech - its simply an audio signal with square waves from around 800hz-2khz that define a 24 hour timestamp from 00:00:00 to 23:59:59. This way I can record super tight arpeggios and sequences into the MPC. Now open the looper (while MPC running) and you are able to record perfectly in sync. 3 Reply Share ReportSaveFollow level 1 2 yr. After starting the MPC from DAW transport (and all is sync´d beautifully) - switch the SYNC IN from Midiclock to MTC in the MPC. Since your design uses synchronous reset, both assertion and release of 'push button asynchronous reset' have to be, and will be synchronised by this. But a 4-flop synchronizer still gives better MTBF. Thats what I have used with push button resets on FPGA boards. ![]() The Sync-Gen also provides transport control, the Multiclock doesn't. Normally a 2-flop synchronizer is enough for the clock frequencies you target. Initially, I’d gotten excited about the Multiclock, as I have a DIN based device (MC-202), as well as several volca devices, which accept MIDI Input. Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock. I think the Multiclock / Sync-Gen is a better solution. It also features four Shift knobs, for light, or serious sync adjustments, outside of your DAW. In addition, it becomes a MIDI Interface when connected to a computer via USB. There’s also a MIDI IN, coupled with a quarter inch input, for accepting analog clock source, or MIDI IN, DIN/Sync. Improve your musical setup now by removing clock jitter and get rid of sloppy timing. The E-RM Multiclock works as either a standalone clock source capable of sending MIDI, or DIN/Sync 24, and even analog clock signal over four built-in 5-pin outputs. The midiclock generates incredibly accurate MIDI Clock messages, DIN Sync & Analogue Clock pulses in a range from 40-300 BPM with a jitter of max. ![]()
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